Back to school at UMW (Blogs)

We just finished our first week at UMW—-it was an uncharacteristically late start for us. We are usually in week two or three by now, but I am not complaining because the extra spell before game time was nice. That said, the semester has arrived and UMW Blogs held up beautifully the first week (even though it got clobbered traffic wise). Martha Burtis did a site re-design which looks snazzy. What’s more, Martha re-themed the UMW Wiki to match UMW Blogs, which is something we plan on experimenting with and using a lot more this year. After the upgrade in early August, it seems like UMW Blogs has been rock solid. No downtime, and very little in the way of errors, crashing plugins, rogue themes, etc. The system is tight, and I am not afraid to say it these days. With more than 22,000 unique visitors during week one and over 82,000 page views—all I have to say is bring it on. UMW may be small, we may be relatively poor, but we are scrappy as all hell. What’s more we are open education at it’s best and least pedantic.

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A DTLT Today Weekly Round Up (9-2-11)

There were a ton of solid DTLT Today episodes last week. Tim Owens and I interviewed Antonio Vantaggiato on his work in progress (The Zen of Teaching) that interviews a variety of folks about the myths surrounding teaching, learning, and technology in our current moment. Add to that Tim and Andy Rush’s interview with UMW’s own Curtiss Grymala (resident WordPress Programmer) who under the visionary leadership of Cathy Derecki in University Relations has been re-imagining, re-coding, and re-designing UMW’s main website for WordPress.

What’s more, I sat down with Martha Burtis for an episode of DTLT Today in which we talked about the Online Learning Initiative being spearheaded here at UMW by the great Steve Greenlaw. Both Martha and I are on the committee, and in addition to both Martha’s incisively blogged thoughts about the state of online learning under the tyranny of instructional designers heretofore, as well as Steve Greenlaw’s last two or three posts in which he is framing his own course redesign, the tyranny of the contact hour, while thinking out loud about what a re-imagined high impact course (whether face-to-face or online) might look like (en fuego, anyone?). So, given UMW’s current state-driven initiative to experiment with online learning, Martha and I sat down to try and explore what it might mean to rethink online learning for the liberal arts experience.

Finally, my special friend Andy Rush and I sat down to talk about the DTLT media empire collective that has emerged over the last number of years. Starting with UMW Blogs, but focusing more on the “PGP” (or post-Grant Potter ds106radio era). The impact Grant Potter’s ds106radio experiment has had on the thinking and future of DTLT cannot be underestimated, not can how important a piece to the puzzle the addition of the great Tim Owens has been to get us there.

We have been playing hard with DTLT Today, there is no doubt about that. And while I was working with faculty all week I have been planting the seeds. I think I have two interviews with UMW faculty lined up for next week—if there is space in the crowded DTLT Today schedule. I am planning on interviewing Professor James Harding on the idea of Terrorism and how it has been defined post-9/11 given his work on the subject in his Post-9/11 seminar. What’s more, I am hoping pulitzer prize winning poet Claudia Emerson will sit down with us to talk about what she is working on currently. There is nothing cooler than listening to both these thinkers talk and imagine, and for me that is a big part of what DTLT Today is and will increasingly become. Also, we need to start getting the students and their work on there.

Finally, doing a 15 minute DTLT Today episode on a regular basis is kind of like a group video blog—and there can be no question just how formative this series has been in bringing the DTLT group together around ideas and having fun—both of which we do very well 🙂

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Google+ I barely knew you, or deleting my Google+ account

I fired Google+ today. No real moral outrage or grandiose theories about advertising companies owning our souls, though that is all absolutely true and I am already beyond the pale. But, in the end, I just wanted to pull a Nancy Reagan and “just say no.” No to another social network, no to another easy corporate solution, and no to a whole ton of people I really don’t know forcing me to categorize them. Despite all the blather about having layers (or levels) of people permissions on Google+, the circles really undo any sense of the organic web. Add to that I had 500+ folks in one or the other of those circles and I did little or nothing to get them there—they just flooded my inbox like invitation spam. It all seemed prefabricated, not to mention premised upon all the relationships of mine already established in Google services I used they had data mined (which makes it spam, right?), and ultimately it ended up feeling like a social get together in a commercial mall that was designed by Facebook but built and sponsored by Google. I know you can’t ever truly be free of all the demons, but it’s probably good policy not to get to comfortable with any of them.

All that said, to Google’s credit deleting my Google+ account was dead simple. I just found this post by Dave Winer (who has a much more thoughtful reasoning for opting out) and followed this link.

And below is the picture story of the break-up 🙂

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4 Icon Cookie Challenge….the bava abides

Image credit: jennifer könig

I just happened to stumble upon some images from the recent Lebowskifest cast reunion (the film was made over 13 years ago!!!). I’m an unabashed fan, so I got sucked down the rabbit hole. The images led me to the Lebowskifest site which led me to the livestream archive of the reunion, which is awesome. John Goodman seems like he is a psycho, and Julianne Moore actually got pregnant midway through the filming and refers to her son in the following video as the little Lebowski—I love that! And what’s even more awesome about the video is that the cast is just goofing on the film and having fun with the quotes that every fan goofs on amongst themselves. Surreal.

Watch live streaming video from thebiglebowski at livestream.com

I then searched on and ran across this image by Mauzygirl in the Big Lebowski Flickr group/pool that features an amazingly ornate batch of Lebowski cookies she made. They are amazing, so I got the idea of doing a 4 icon challenge ds106 assignment—but this time based on cookie designs. How cool would it be to have students bake these icons for this assignment?

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DTLT’s Corporate Cuddle Couch

This is why I love what I do and the folks I do it with. DTLT Today is a total blast, every EdTech shop should try this—it’s a great daily exercise for conversing, sharing, trust and thinking. Below is a republish of today’s episode in which the group cuddles up on the DTLT casting couch 🙂

In recent years we’ve seen the rise of a culture of acceptance with corporate vendor interests and a simultaneous decline of investment in the educators in the field and the schools they work at. The equation is simple: Take the money you’re handing to corporations and invest it in your own school system and people. We’ve got the whole group together to talk about corporate and personal culture and investing in people, not products.

Links we talked about:

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Personal, not corporate, expression

I came across a video interview on Democracy Now with Brewster Kahle and Rick Prelinger—two of the great open content pioneers of the digital age—talking about digital preservation, the Google juggernaut, and the home movie archive. One of the things that struck me during the interview was Rick Prelinger’s distinction between personal and corporate expression.

And home movies are astonishing, because they’re, as you say, personal, not corporate, expression. They’re individuals witnessing history, not simply great events, but also history of everyday life. And we’re building a home movie collection at the Internet Archive for all of us to compare, understand, experience, to reuse, and for the use of scholars. And we hope that this will really change the way that people look at film, because film is not just movies that you go to and pay 10 bucks to see. Movies are also the way we look at each other.

It seems obvious that studio films, most TV, etc. are corporate expressions, but all too often they seem other than that—they seem to be stories that may happen to be corporate funded—but not necessarily corporate expressions. But is that the case? When these corporate expressions are contrasted with the often non-linear, non-narrative form of the personal expressions in home movies the idea of the culture industry as defining a predominant sense of a capital-driven expression seems obvious.

How much of my nostalgia for video games, hollywood films, and the toys of my youth might be understood as corporate expressions? What’s more, at what point are they personal? Where is the in-between space of this idea in which the corporate expression becomes a deeply personal one without being a kind of necessary zombification of one’s creative soul? Is the idea of corporate overdetermined in this case? Then again maybe the idea of personal is? These are by no means new questions, but I love how the idea of the corporate versus personal expression as a distinction drawn by Prelinger brings these questions into a sharp light for the digital age in which the ability to create and share our personal expressions has never been easier or more commonplace.

The idea of archiving the everyday is what turned me onto the digital in the first place—but more and more I’m finding archiving is just another side effect of the possibilities implicit within the moment.

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I corrected him!


Image credit: “IWDRM”

Remember who loves you Andy, and don’t you make me correct you with your infatuation with DTLT’s new boy—I am the one. NOBODY!!!

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Ramones Warriors

Thanks to Noiseprofessor I now covet this work of art that will be showing at the 1988 Gallery in Venice starting this Friday. Never heard of Nathan Stapley’s works before now, but I am an immediate fan after this beauty—I wonder how much this one costs? I mean this is ds106radio inspired art, right people? I think all the ds106ers need to pass around the hat for this one so we can hang it in our virutal classroom/radio station/movie theater/bar 😉

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The Smitten Love Song Compilation

While living in Los Angeles from 1990-1997 I was fortunate enough to see a ton of bands that flourished during the noise/post-punk/hardcore scene that was pretty popular up and down the West Coast. I was a major fan of Unwound (as I have noted on this blog before) and saw a ton of these independent bands at the LA club Jabberjaw Cafe—a kind of nostalgia-laced coffee shop that had vintage arcade games, a small-ass stage, and some amazing music tucked away behind the storefront, stripmall church section of Pico Blvd. Anyway, while cruising around YouTube I saw that user WildWeaselSlayer uploaded all but one of the songs off the Karate Brand Records “The Smitten Love Song Compilation.” I was particularly fond of the Unwound, Slug, Jawbreaker, and Beekeeper tracker (I actually worked with a member of Beekeeper (Ken) at UCLA—and he was awesome). Anyway, so here is a free dose of alternative post-punk West Coast awesome brought to you freely thanks to YouTube. I’ll try and stream this compilation on ds106radio sometime tomorrow, but until then enjoy.

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You People?

One of the great film monologues of all time, and what’s more it features the great Jamie Sanchez of The Wild Bunch fame who basically disappeared into TV and film obscurity after these two great early roles (although he was in Carlito’s Way almost 30 years later).

And another thing, Quincy Jones’s soundtrack for The Pawnbroker is a masterpiece as well.

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