Creeping on Alien

I figured I would do one more visual assignment before we move into my favorite part of ds106 bar none, DESIGN!! I chose the “Creep on a movie scene” by the great Jack Mulrey because it is very much inline with my movie saturated mindset right now. I creeped on Alien using this screenshot from the film and this picture taken by Tom Woodward back in 2008. The picture of me is all wrong because there’s direct sunlight on the right side of my face—and given we are in a cafeteria in deep space that’s probably not gonna fly too well. Nonetheless, I kinda liked it. Anyway, here I am as part of the crew of the Nostromo, and given my coffee and cigarette I think I fit right in with these badass mofos.

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If we don’t, remember me

I was watching the noir cult classic Kiss Me Deadly for the first time in many years last night. It’s an amazing film, and I highly recommend it to anyone who hasn’t seen it. And when you consider both Kiss Me Deadly and Night of the Hunter were made the same year, one would have to assume 1955 would remain the most important year for hardcore film violence until 1967-68 when Bonnie & Clyde and The Wild Bunch are released. Kiss Me Deadly is deeply disturbing on many levels, but unlike Bonnie and Clyde and The Wild Bunch little of it happens on screen, it’s all offscreen but communicated psychically with kicking feet, ear piercing screams, and deeply disturbing instruments of torture. Kiss Me Deadly is a textbook example of how to haunt and horrify the audience by creating a simple image that forces viewers to interpolate the horror.

But I told you all that, just to tell you this. While watching the first 10 minutes of Kiss Me Deadly (one of the greatest intros of any film ever) I realized that the title for the blog that transformed the way I imagined animated GIFs, If we don’t, remember me, was from the intro to Kiss Me Deadly. You can see it at 8:25 of this clip on YouTube. I can’t say I was totally surprised since the proprietor of the IWDRM blog obviously knows and loves film, but I was struck when I went back to the IWDRM archives to find there isn’t one animated GIF from Kiss Me Deadly, so the following GIF is my meager homage to both the great Kiss Me Deadly as well as the proprietor of IWDRM, whose art has inspired me to have fun not only thinking about, but in some real way interacting with, all those scenes that have so deeply affected me over the course of my movie watching life.

And this next GIF is not so much an homage as it is a capturing of what has gotta be one of the earliest telephone message machines in cinema. When I first saw this Kiss Me Deadly in L.A. during the early 1990s I was dumbstruck by the presence of a telephone answering machine in the 1950s, how could it be? Turns out the first commercially available answering machine was available in 1949—how crazy is that? Some one should do a animated GIF homage to all answering machine in film 🙂

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Kill all the golphers!

I love Ben Rimes’s ds106 technical difficulties assignment, and his take on it came out beautifully. I knew I couldn’t compete with his inspired art on this one, so I went below the belt. I found this image of the Gopher from Caddyshack, and I couldn’t help myself. The whole balls things was inspired by Chanda’s Sam Elliott love letter 😉

 

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Triple Troll Quote: Harrison Ford vs. John Cazale

Just so that people don’t think I am relying entirely on animated GIFs for this week’s visual assignments, here are a couple of Triple Troll Quotes. What’s more, they are themed—both of thee triple troll quotes are centered around an actor who was in a number of amazing films in a very short period of time.

First, between 1977 and 1983 Harrison Ford was in Star Wars (1977), Apocalypse Now! (1979), The Empire Strikes Back (1980), Raiders of the Lost Ark (1981) and Blade Runner (1982) (all within 5 years!). What’s even more remarkable about this is he couldn’t act to save his life. Ford was an icon for me as a kid, but in the 2000s I began to like him less and less given his dismissal of Charles Bronson’s career, which I’ve already discussed on this blog. Regardless, he was in the holy trinity of films for me as a kid: Star Wars, Raiders of the Lost Ark, and Blade Runner—what ever I may think of him now, that’s a pretty sick run.

And while Ford’s run is impressive, it doesn’t hold a candle to John Cazale’s—who actually could act!—he was only in five films over his entirely too short career, but every single one of them was a masterpiece (I’ve written about this before as well). That’s a hard act to follow. The five films are: The Godfather (1972), The Conversation (1974), The Godfather II (1974), Dog Day Afternoon (1975), and The Deer Hunter (1978).  Wow! Francis Ford Coppola, Sidney Lumet, and Michael Cimino. He died way too early, but he leaves behind him a filmography few, if any, could ever match.

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Snake-woman

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Big fans

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Greetings from Bagdad

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That’s gotta sting

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Sokurah the magician

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You are getting sleepier

Sokurah the magician

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