Riffing off of Tom Woodward’s recent exercise he posted, I experimented with using six film frames to capture the essence of the film’s narrative. It might also be a nice way to think about how the juxtaposition of images make meaning, without worrying about drawing those images. Almost reverse engineering Kubrick’s filmic logic. So, here it is, and I was fortunate enough to find screenshots from Kubrick’s The Shining from this post here. Now to make this an assignment for the Digital Storytelling course to build on the five random images to tell a story, but more on this assignment shortly.
So, which transitions don’t work? I was also thinking about this version: