While in L.A. last week, my good friend Mikhail and I made a stop at the comic shop Meltdown. It’s a great store. They have everything from comics to graphic novels to figurines to video games—and the folks who work there are both knowledgable and helpful. I’m a big fan. I could spend hours on end there, but we only had a little bit of time, and luckily I knew exactly what I wanted. And they had it:
I’ve been wanting to get my hands on the EC Comics archives of Tales from the Crypt because I’m toying with the idea of doing a future ds106 course around these 1950s comics. I think it would be a blast, not to mention I love to look at them. More importantly though, I needed a gift for each of my kids before heading home from L.A., and I figured Miles was ready for some of the most awesome horror comics ever created. So, I picked up volume 3.
When I started reading the first story of this volume to Tess and Miles, “Grounds…for Horror!” I was struck my how insane it was. Let me explain. The first story is about an abusive step-father who locks his disobedient son, Artie, in a dark closet in spite of his mother’s protest. The step-father is a butcher by trade, and their apartment adjoins with his shop. Can you see it coming yet? Artie’s mother overhears her son talking to someone named Hozir, whom she takes for an imaginary friend he created to help him deal with the abuse. Well, Hozir is not imaginary, he’s just invisible. And as the step-father ramps up his attacks on the child, Hozir promises retribution. And, he delivers on that promise in a fairly spectacular way:
Miles and Tess were like WTF, daddy? And I was like, that is awesome! A comic book for kids that truly disturbs. Who said things were normal during the 50s? In fact, the 1990s re-working of Tales from the Crypt as an animated cartoon called Tales from the Cryptkeeper is just depressing in comparison. Not only does the art suck, but the stories are completely toothless. Look at this adapted version of “Grounds for Horror” and tell me I’m wrong.
I just ordered the DVDs for the first two seasons of the late 80s, early 90s HBO series Tales from the Crypt. While I saw a few episodes at the time they came out, I don’t remember too much. But after reading up on it, seems they had a decent number of good actors and directors working on that series. My yardstick for all interpretations of this aesthetic is still George Romero’s Creepshow (1982), so we’ll see how that goes. If for no other reason, it will be useful given my kids are constantly asking me to tell them scary stories before they go to bed, and I’m running out of ideas.
That cover looks like an easy one star remix with the featured circles awaiting some avatars from Twitter.
I want to have the dude who is buried alive slamming on the coffin, need to talk to MBS about the best way to do this.
I started one (http://tmblr.co/ZErxJu1eC-v9m) but I need to do some clean up work to get rid of the double-imaging.
I still have a box of these in storage someplace along with a bunch of Weird Mystery http://en.wikipedia.org/wiki/Weird_Mystery_Tales … kids’ old OLPC/XO laptop is a dedicated comic reader http://networkeffects.ca/?p=162 and has a bunch loaded up from http://digitalcomicmuseum.com/preview/index.php?did=10898&page=1 … love those.
I haven’t looked into what the original EC Comics for this series cost yet, but that’s the next step when I dig myself out of debt. To get a collection of these. In other news, and it’s gonna be a blog post soon—got my hands on an RCA SelectaVision (http://smg.photobucket.com/user/jstockwell/media/rockyCEDVD.jpg.html) and over fifty discs. Kinda like the obsolete vinyl of video format. I am digging these, despite the terrible quality.
Maybe you can grab a copy of this paleoconnectivist gem http://www.ecrater.com/p/11928598/national-gallery-of-art-videodisc-beautiful … “The teacher and the student, individually or in groups, is no longer obliged to adhere to specific sequences or blocks of information presented in a set order. By virtue of this technology, the learner can go beyond the traditional boundaries or limits of subject and follow his or her particular interest, at an individual pace.” http://www.archimuse.com/publishing/ichim93/perlin.pdf
I was probably 10 or 12 when I acquired Horror Comics of the 1950’s (http://www.amazon.com/Horror-Comics-1950s-Ron-Barlow/dp/B003DQWVXW), so they have to be completely appropriate for young children.
It would make for a fun ds106 too. There’s plenty of material to take inspriation from. In addition to the comics and Creepshow/Tales from the Crypt type videos, there’s also the Suspense radio show (https://archive.org/details/OTRR_Suspense_Singles), which has been revived in recent years (http://www.prx.org/series/33182-suspense). So, do we have a ds106 theme for the Fall?
I think we do, Paul. Have they reached out to you yet? I am doing a Domain of One’s Own Freshman Seminar, so maybe we can co-teach both again 🙂
Yeah, they have me on the schedule already for the Fall. I was wondering what approach to take. This is a good one.
Excellent, consider me in #4life. Tales from the #ds106 Crypt for Fall 2015!