Monthly Archives: March 2013

The most transgressive moment in Chinese cinema?

Inspired by Brian Lamb’s recent animated GIF of Frankenstein paired with a quote on abjection from Julia Kristeva’s Powers of Horror, I decided to experiment with a multi-shot GIF breakdown of a scene from Zhang Yimou’s Red Sorghum (1987) which … Continue reading

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College: What’s in it for me? What’s it cost? And will I hate my life?

Today was the first day of registration for Summer classes, and I am planning on teaching ds106 in the first five-week session (May 20th through June 18th). The class filled up the allotted 15 spots before noon, and I started … Continue reading

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Le Trou: the Labor of Cinematic Love

When I was in graduate school I took a course about labor and cinema that had a wide range of post-war films coupled with readings from critical film studies, post-structuralist Marxism, etc. —you get the general late 1990s grad school … Continue reading

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Homeboiled: Touchez pas au grisbi

Thanks to my special lady friend, our focus on French noir continues, this time with a quiet mediation on growing old in the 1954 film Touchez pas au grisbi (“Don’t touch the loot”) by Jacques Becker starring Jean Gabin. The Criterion Collection’s synopsis for the film … Continue reading

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Maybe I like to be cheap once in a while….

….maybe everybody does. The following scene is a classic Hollywood moment from Vincente Minnelli‘s 1952 melodrama The Bad and the Beautiful between Lana Turner and Kirk Douglas —and both prove why they are masters, though Douglas steals this one at … Continue reading

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At least it’s an ethos

I had an idea for a new ds106 animated GIF assignment titled “At least its an ethos.” It might be much better in my mind than in reality, but here it goes anyway. Take the line from The Big Lebowski … Continue reading

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Cinema Retro: A Primer for Italian Crime Films and more

When Anto was in New York City a couple of months ago she picked me up the latest issue of Cinema Retro, which is similar to my favorite film magazine Filmfax. The main differences being it’s a British publication and it … Continue reading

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