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Generations from now, they won't call it the Internet anymore. They'll just say, "I logged on to the Jim Groom this morning.
-Joe McMahon
Everything Jim Groom touches is gold. He's like King Midas, but with the Internet.
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My understanding is that an essential requirement of the internet is to do whatever Jim Groom asks of you while you're online.
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@jimgroom is the Billy Martin of edtech.
-Luke Waltzer
My 3yr old son is VERY intrigued by @jimgroom's avatar. "Is he a superhero?" "Well, yes, son, to many he is."
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-Antonella Dalla Torre
“Reverend” Jim “The Bava” Groom, alias “Snake Pliskin” is a charlatan and a fraud, a self-confessed “used car salesman” clawing his way into the glamour of the education technology keynote circuit via the efforts of his oppressed minions at the University of Mary Washington’s DTLT and beyond. The monster behind educational time-sink ds106 and still recovering from his bid for hipster stardom with “Edupunk”, Jim spends his days using his dwindling credibility to sell cheap webhosting to gullible undergraduates and getting banned from YouTube for gross piracy.
I am Jim Groom
Find out more about me here.
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Recent Posts
- First Born as Authentic Look into the World of 1980s Suburbia
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- Romanticizing WordPress and the Future Past of Possibility
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- Audrey Watters on Writing
- Yeti Back from the Dead
- Bloggers Anonymous: “First Things First”
- YoloBox Pro, Madden 2001, and a Reason to Stream
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Category Archives: film
First Born as Authentic Look into the World of 1980s Suburbia
As I finally catch-up on blogging, it’s time to turn to the Family Pictures Podcast which is now available on Apple’s Podcasts and Spotify as we get into the double-digits of episodes. “We’re mass communicatin’!” I’m three episodes behind* so … Continue reading
Listen to Our Fargin’ Podcast You Lousy Cork-suckers!
This week it was Johnny Dangerously (1984). I’ve not seen it in roughly 40 years and I forgot how insane its humor could get. It’s a total gag film; I kept on remarking just how much it reminded me of … Continue reading
At Close Range: Like Father. Like Son. Like Hell?
MBS and I are back at it with yet another installation of the Family Pictures Podcast. “Mark it six, dude!” This time we discuss At Close Range (1986), the neo-noir that’s a vehicle for a remarkable swath of up-and-coming 80s … Continue reading
Working through Home with Mr. Mom
MBS and I are on a serious roll with the Family Pictures Podcast as we drop episode 3: “The Roles We Play – Mr. Mom.” What I’m finding as we continue to focus on movies from 1983 is how the … Continue reading
Peter Sellers Does Michael Caine
A few days ago I came across this video of Peter Sellers doing a brilliant Michael Caine impression on a 70s TV show. It’s simply too good not to share. It led me down a Sellers rabbit hole, and like … Continue reading
The Hitcher: Never Pick Up a Stranger in Portland
Picking up on my last post about how much PDX rules, let me pile on a bit more. The day after I arrived Zach took me to the Hollywood Theatre to see The Hitcher (1986) in 35mm. Approaching the amazing … Continue reading
The Boy Who Streamed Too Much
So after digging in on the streaming for Reclaim Karaoke Tuesday night, I turned to preparing a discussion about Mario Bava’s seminal giallo film The Girl Who Knew Too Much (1963). That discussion happened last night, and it was streamed … Continue reading
It’s Father’s Day, and I want my cake!
In Italy Father’s Day is recognized on St.Joseph’s saint day, which is today. And I have to say given Joseph’s role in Jesus’s birth, there’s a strange subtext to the day here 🙂 Anyway, I spend much of both the … Continue reading
A MBS Recommendation
Last week I had the privilege of writing a recommendation for Michael Branson Smith to gain admission to the masters program in Interactive Data Visualization at the CUNY Graduate Center. And while I’m confident he will get into the program … Continue reading
From “The Bishop of Battle” to Repo Man: the Bus Journey of an 1980s Film Punk
I recently picked up Scream Factory’s 2015 blu-ray release of Nightmares (1983), a low-budget urban legends/horror omnibus in the vein of Creepshow (1982) and Cat’s Eye (1985)—the latter of which my brother loved. I’ve been watching and re-watching “The Bishop … Continue reading