Ed Parkour

Almost two weeks ago I was invited to Kansas State University to discuss Ed Parkour, a vision for edtech and higher ed that the good folks at K-State have been playing with as a metaphor to imagine what it is we do we we teach and learn in relationship to the open web. I absolutely love the metaphor, it is so rich when it comes to the idea of re-thinking the built environment of the physical university as well as the open web to think creatively about how we might actual use the spaces we occupy imaginatively rather than resorting to lazy, over-arching statements that institutions of higher ed are irrelevant, dying, etc. I mean I like apocalyptic narratives as much as the next guy, but we have to acknowledge their limits and the potential reactionary fallout of this rhetoric (fully knowing some of which has been directly attributed to me). In that regard, I can’t begin to tell you how deeply touched I was when the inimitable Mike Wesch introduced my talk with a talk that was better than the talk. His frame of Ed Parkour was perfect and his summation of my feeble career made me feel really good about what we’ve all been doing these last few years. His ability to inspire, infuse a moment with meaning while at the same time understanding it both viscerally and intellectually is amazing. There is a very good reason why he’s so greatly respected by so many, he epitomizes everything that is great not only about higher education and edtech in our moment, but the potential for civilization to harness both together for good. I’m a big fan, I read all his blog posts and tweets šŸ˜‰ What’s more, he is quite the traceur himself:

One of the real privileges of having people invite me to their campus is not necessary the talks I do—though I enjoy doing them, but I might be the only one :)—but seeing the people that make up the culture of a place. It is always readily apparent to me what cultures are ready to explode with this stuff specifically because of the people. This was true of Duke University, Penn State University, Elon University, St Lawrence College, and many more. What’s interesting to me is that like Penn State University, Kansas State University is one of those big, research one universities that has awesome people that can effect real, positive change within a culture of tens of thousands of students, and that is powerful. When I sat down to talk to the folks from the Office of Mediated Technologies (OMT? —I think that is the acronym) at K-State I was impressed by how thoughtful they were about the intersection of teaching and technology, what’s more I was amazed at how well-poised the entire organizational is to make a huge impact of the landscape of teaching and learning throughout the campus, as well beyond that.

And this idea of place, a campus, the sense of a built physical environment populated by people is crucial—it is for me one of the most attractive elements of Ed Parkour. An emphasis on the role the built environment in which we exist, learn, teach and play is essential to the educational experience—something campuses need to think harder and more creatively about moving forward because the technology and the physical space are not mutually exclusive, or even parasitic as some would frame it, but rather they are deeply symbiotic. I could go on and on about how amazing my short stay in Manhattan, Kansas was, and particularly the entire day I got to spend with some great people in their environment, but why not let one of them tell you about it.

One more point about the presentation before I close this one up. George Siemens noted that my framing of MOOCs was deeply problematic and that I was “bashing moocs as a function of scale using Stanford as an example.” I will address this, but my favorite tweet by him (you can see all of them here, here, here, and here) was when he dismisses ds106 as “a utopian world of creativity….not seeking scale.” I think ds106 pisses some folks off when it comes to the MOOC in that it is not about re-framing traditional academics, it’s about memes, creative culture, and doing. In that regard it is easy for the bias of higher ed to write it off, which makes me love it even more šŸ™‚ As for Stanford and scale, well I think the idea of MOOCs are undergoing a process of popularity and visibility that is translating into a market—and we have to be honest in the case of Stanford’s AI MOOC and the subsequent Udacity project is that what’s driving that market is scale. The idea of massive numbers that can pay a nominal fee to take a course. And I am all for educating the world for a nominal fee, it’s a great thing, and what Siemens, Downes, and Cormier have framed and started with the MOOC is nothing short of amazing. My issue is that the focus on massive, scaling, and analytics ultimately makes the business vision that Sebastian Thrun has imagined from the beginning of his MOOC paramount. Why can;t this be done within an institution? Isn’t that part of why his business model will be successful—because he was a Stanford professor? Seems to me the celebrity, numbers, and fascination with scale of the MOOC is what is driving the popularity of the MOOC not the innovation around connecting students and teaching and learning in pwoerful ways. That is why Alan Levine’s notion of ds106 as a fractal, constantly mutating course, it is not scaling a traditionally imagined academic course to be “bigger,” but rather designing a space that is open,and grows organically over time:

This growth approach is in many ways, a parallel for the underlying, packet passing distributed structure of the internet we are all riding on. ā€œDoes it scale?ā€ is irrelevant here, so I’d like to say, it does not have to scale- it is growing organically. Rather than taking the course as handed out by an entity, people are making it their own, meshing it with their own teaching needs, strategies.

And that is a beautiful thing, let’s make some art damnit, fractally

I can’t imagine we want to turn the potential of the MOOC into a market, we want to take education back from the markets. We want more “green spaces” for teaching and learning, to quote Brian Lamb. We need a form of open, online class expereinces that are free of venture capital and the next celebrity professor, a community of learning that leverages the resources we already have at publicly funded brick and mortar institutions and open them up to the world, and there is no reason the world can’t, in turn, directly inform what happens at institution.

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This Week in ds106: Valentine’s Day, Design, and Jamming (5.2)

On Tuesday, February 14, 2012 (Week 5) I introduced the Design portion of class. This is a particularly fun part of class for me, and in this video we discuss the art of jamming in ds106 (thanks to inspiration from Noise Professor), captioning Romance Novels (thanks to ds106 alum Sarah Kountz), and Design as cultural intervention. It was a fun class!

As soon as I get a little time I am going to write about how amazing it is to have alum like Sara Kountz, Megan McMillian, Charlie Rocket, Matt Martin, and many, many more who can actually intervene in the course in many ways. What’s more, Sarah’s awesome idea for an assignment early that afternoon informed how I taught the class that evening. And what’s more, it worked! But that blog post is coming.

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Happy Valentine’s ds106

Happy Alternative Valentine’s Day ds106!

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This Week in ds106: Week 5 Preview and a Special Edition

This week introduces the Design section of ds106, which is a personal favorite. Alan and I preview what’s to come in week 5 which wiull be all design all the time. Special guests that will appear at some point this week include Tim Owens and Giulia Forsythe. Very much looking forward to the fun. See the weekly assignment here.

Additionally, Alan, Tim Owens, Zach Dowell, and I talk about the art of jamming and ds106 as a framwork for trying to push the boundaries of community and collaboration in this course by integrating elements of people re-mixing each others work. This is really exciting stuff for me, and marks the next layer and level of innovation and awesome that is ds106.

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ds106 4life

Image of ds106 4life hand tattoo

Much more symmetrical than EDUPUNK šŸ™‚

Anto took this one under the light, and I wish I would have thought of this as early as the great Linda McKenna (her’s is much better www.flickr.com/photos/64905600@N05/6863282351/) because I would have shaved my head like in the olden days:
upload.wikimedia.org/wikipedia/commons/thumb/3/3f/Edupunk…

In many ways ds106 has turned out to be everything potentially cool that EDUPUNK promised before it became co-opted. And institutions are still integral, how about that? Who knew?

Maybe it should be ds106 4light. We must Rock 4 Light!

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A Predator’s View of Monticello

I started playing with Annie Belle‘s “Switch Up the Mood” assignment on this image of Thomas Jefferson’s Monticello I took this past Summer which, unfortunately, is rather predictable and unremarkable unlike the house.

Image of Monticello

So I wanted to play with some settings to change the mood, I adjusted the hue, saturation, contrast, etc. in GIMP, but it all seemed rather lckluster to me. The sky was too consistently blue, making the effect hard to pull off. I then started messing with some filters and came across the Predator filter (under Filters > Artistic > Predator) and I got this pretty awesome view of what Monticello would look like to a Predator. I love movie geeks who program.

Image of Monticello as seen by a Predator

So, while I copped out a little on truly playing with the mood through hue, saturation, contrast, etc., I did discover a way to actually make this photo remotely intriguing.

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This Week in ds106: Week 4 Recap (4.4)

Alan Levine, ds106 alum Andrew Allingham, and myself talk with Ben Rimes, Giulia Forsythe, and Zack Dowell (aka Noise Professor) about the Daily Creates and Visual Assignments featured thus far.

Below are links to featured visual assignments:
http://delicious.com/stacks/view/M3AzJF

Links to featured Daily Creates:
http://delicious.com/stacks/view/Dj0EpW

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This Week in ds106: Google Reader, The Daily Create, and Visual Assignments (4.3)

This is the video of my course section on Thursday, February 9th. We discussed Google Reader, The Daily Create, and Visual Assignments at some length.

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Hey ds106, I just thought I’d riff off you

It is starting to happen, ds106 is taking hold and folks are letting go and having fun an creating wildly. I’ve seen a ton of awesome work this week, an Alan and I are collecting as much of it as we can as a record here. More than that, during our Week in Review show on Friday, that I will be posting shortly, Noise Professor was talking about how ds106 is at its best when people are not simply doing assignments, but riffing off the work others are doing and modifying or playing with it in some way. This can only happen if your work is open an if you are not afraid to piss off your professor an have some fun. Luckily, Thomas Ella is ready to do both, and his “Hey Girl” Ryan Gosling meme post featuring yours truly here provides a wonderful opportunity for me to riff and respond. This is kind of like the Spubble assignment, but only seen through the lens of an American Apparel t-shirt. Hey girl, I hope you enjoy it.

Image credit: Maura Monohan’s “Confusion, maybe?”, and if Maura would have made it Creative Commons and re-mixable I wouldn’t be breaking her copyright currently.

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Dog Man

All the Cat Breading and Dog Swapping shenanigans that has been going on around ds106 as of late reminded me of that crazy scene in the 1978 version of Invasion of the Body Snatchers when the dog man comes running up to Donald Sutherland, Veronica Cartwright, and Brooke Adams. It was pretty much a total freak out for me as a 10 or 11 year old young kid.

So, there was just one thing left to do….

Section 1 of ds106 at UMW #4life. Everything else is for the mandogs.

And while my photoshop of the above image sucks, I will make it up to you with this brilliant recut video of the Dog Man from Invasion of the Body Snatchers re-visione as a lovable pet in a Cesar’s Dog food commercial. Brilliant! There is an assignment here somewhere.

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