The Flying Circus Airshow

Image Credit: Thanks to AnandRaoFlickr

Every Fall we celebarate my son and daughter’s birthdays together—and I have a feeling this is gonna be the last year for that tradition. Miles is pushing 7 and Tess just turned 5 and I think the shared birthday may get tougher, but there is a part of me that hopes it doesn’t. We have traditionally done the parties at a local farm with a good cake, some pumpkin picking and a hayride.

Image of Flying Circus plane

Image credit: The Flying Circus Airshow by Andy Rush

This year, however, we changed the plan and decided to have the party in Bealeton, Virginia at some of the most beautiful Americana I have experienced to date, none other than a 1930s era barnstorming outfit known as the The Flying Circus Airshow. They have some awesome WWI and WWII biplanes that do some amazing things. Like this…

Credit: Andy Rush

And this…

Image credit: Andy Rush

And this…

Image Credit: Anand Rao

Image credit: Andy Rush

And the whole scene is remarkably intimate and crowd friendly. They know they are performing and the emcee, along with his sidekick the Black Baron, throw candy to kids, setup up elaborate gags, fill you in on the history of commercial airshows, and set the stage for some serious old school fun. One of the things I really hate about the boxstore approach to entertainment is that it has lost any soul and sense of particularity (not unlike CogDog’s lament about highways recently). What’s more, it has lost all sense of experimentation and adventure—our built environment has become increasingly prefabricated which might help explain my escape to the wilds of the internet. But I digress. What you need are some photos of the fun before I hit you with the money shots of why the Flying Circus Airshow is insanely radical when it comes to entertainment and soul.

The Black Baron ruled with his fake German accent. Image credit: Andy Rush

The awesome emcee. Image credit: Andy Rush

Some classic shenanigans with "members of the crowd" flying airplanes away. Image credit: Andy Rush

Tess and Miles even got presents from the crew given it was their birthday and all.

Tess collecting the booty. Image credit: Anand Rao

Miles hits present pay dirt. Image credit Anand Rao

But what might be the most insane part of the Flying Circus Airshow is the wing walker, Joe Bender, who you better not confuse with a wing rider. A wind rider stays stable on the wing which means they don’t walk around like a wing walker. That’s right, wing walkers actually amble around on the wing of a plane flying over 100 mph. This is nuts. Hundreds of feet above the ground at an airshow with a couple hundred people max, Joe Bender is spending his time walking on wings. He may be my new hero. He works on electrical lines during the week (his day job) and he spends his weekends leisurely walking around biplane wings. That’s what is so awesome about the Flying Circus Airshow—Joe Bender isn’t doing this to get rich, nor are all the airplane owners and operators. This is a group of intensely passionate folks who are handing down a tradition, are keeping alive and idea of the past. This is not about erasing our connection to another moment, it is rather a reinforcement to the moment of the 1920s and 1930s that since the Bioshock Infinite trailer and Boardwalk Empire is starting to seem like a point of connection for us in this moment culturally—and given the financial and spiritual hole gaping at the center of our cultural fabric I am not surprised.

Image credit: Anand Rao

Joe Bender riding the wing. Image credit: Andy Rush

Image credit: Andy Rush

Image credit: Andy Rush

Image credit: Andy Rush

Joe Bender autographing posters. Image credit: Anand Rao

The great Joe Bender! Image credit: Andy Rush

All this to say, this was an amazing birthday thanks to a throwback airshow in the middle of rural Virginia—and of course all the friends and families who were cool enough to come out!

Sebastian, jack and Miles hang out. Image credit: Anand Rao

Anand and Thalia enjoying the gorgeous Fall day. Image credit: Andy Rush

Anto and Tommaso enjoying the light. Image credit: Andy Rush

Happy birthday beautiful. Image credit: Anand Rao

Still searching for Dr. Oblivion. Image credit: Anand Rao

Uncle Andy. Image credit: Anand Rao

And of course some delicious homemade cake to seal the deal.

Anto and Carla made some awesome cakes. Image credit: Anand Rao

Very special thanks to Andy Rush and Anand Rao for documenting this day so exquisitely, nothing better than being friends with a good photographer.

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Three Cool Cats

And another Triple Troll Quote, this one focuses on cool cats, and perhaps the very coolest is the one behind the quote.

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Triple Troll Mice

Let me just go on record saying how much I love the Triple Troll Quotes assignment now. I must admit when i saw this added to the assignment bank by Joe Proffitt during the Summer of Oblivion I didn’t think too much of it, but after seeing the creative stuff people have done with it I am now sold. What’s more, I am getting better in GIMP everyday!

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Can you dig the 99%?

The entire ds106radio aesthetic has com into its own. It has always only been waiting for . Cyrus sings the rap, does the math, and gets us ready for the future. How awesome is Giulia Forsythe latest mashup? I would argue very, very awesome, but see for yourself.

What do i take from this? Revolution is directly linked to culture, and we have been training ourselves for years, whether we realize it or not, how to start taking back the production and sharing around that culture in new ways over the last decade or so. This has not been idle work, making art, mashing up video, producing songs, and generally hanging out and sharing with others might be understood as the virtual labor of change we have all been investing in. And let’s hope the payoff is a system that reinvests in its citizens. because if it doesn’t, we can control the vertical and the horizontal!

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Upcoming DIY Web Radio Session in NYC

On Wednesday Grant Potter, GNA Garcia, Michael Branson Smith, Mikhail Gershovich, and myself will be hosting a seminar about DIY Web Radio, in particular ds106radio. It is pretty safe to say that ds106radio has been a blast for most of those those playing along for the past 10 months, and the community has remianed tight and manageable.

What this seminar might examine (there is no agenda I know of yet šŸ˜‰ ) is how such a model might be imagined more broadly for teaching and learning in and out of formal educational settings.

Special thanks to Baruch’s Bernard L. Schwartz Communication Insitute for making this possible. It is the second in a three part series this semester ( I had the honor of being part of the first as well) that showcases innovative teaching, and it’s a thrill to present alongside people who have become core to my personal and professional life, or in layman’s terms friends! What’s more, I didn’t know half of them before ds106radio!

I have to believe this session will somehow find itself streaming on the radio, so if you can’t be in NYC on Wednesday, October 19th then by all means turn on and tun in to ds106radio!

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Student as Creator

I love NYC.

Let that just hang there for a moment.

Being in NYC this past Wednesday and Thursday couldn;t have been better. The city was crackling with a powerful sense of disaffection in the face of egregious corporate welfare, the humanitarian limits of capitalism, and the crisis of a democratic consciousness made this trip feel as vital as they come. I was dying to join the scene down at , and luckily on the Wednesday before the presentation Mikhail Gershovich and I got the opportunity to check out that rather concentrated and contained beacon of possibility that is fueling imaginations all over the globe (a stone’s throw from 9/11 and in a private park no less). And it must be acknowledged it’s just one in a line of many movements of its kind over the past 3 or 4 years (it starts for me with the #iranelection and then again with the #arabspring, the protests in Barcelona, the rioting in London and Vancouver—and much more I’m sure). All distinct, granted, but all based in what seems to me an international frustration with the sterile global vision of wealth, security, and power that the majority of us feel not only outside of, but victim to. We did a number of radio interviews, videos, and pictures—nothing all the momentous but just more media for the internet fire šŸ™‚ I’ll try and wrangle up any archives out there of interviews we did at and post them shortly.

Image of sign at #occupywallstreetnyc

Given my setup of the cultural/political backdrop for the trip in the previous paragraph, what could be better than being in NYC with the commie contingent from the UK. Not only did I finally meet and have the privilege to present with Joss Winn and Mike Neary, but as an accident of history I also got to meet Richard Hall, Graham Atwell, and Doug Belshaw who were all in town for the #mobilityshifts conference. It was an awesome 36 hour tour-de-force for meeting a number of folks who I follow closely online and feel a very deep affinity with (and I haven’t even mentioned Michael Branson Smith—but more on him anon). The presentation on Thursday was part of the Bernard L. Schwartz Communication Institute’s Seminar on Innovative Technology series and Joss and Mike discussed there project Student as Producer which re-imagines students role in the design, development, and critique of the curriculum. The process of teaching learning is decoupled from traditional power relationships so students become an integral part of the governance of an institution rather than solely its customer. What’s more, the crisis in higher education in the UK—a crisis we in the US slept-walked through in the US years ago when tuition outran any logical pace of inflation—buttresses the importance of re-thinking a sustainable model that re-imagines the social relationships around the production and distribution of knowledge. What’s so amazing about Joss and Mike (and Richard Hall as well) is that they provide a framework of rethinking curricular and human relationships within and throughout a university—but by no means limited or entirely dependent upon it.

Image of Mike Neary, Joss winn, and Jim groom at Student as Producer seesion NYC
Image credit: BLSCI’s Photostream

I presented after Joss and Mike, and these days I can’t help but talk about in presentations. No one really asks me too, but I do believe it could complement the notions of avante-garde pedagogies in relationship to feeding an approach to Student as Producer in the classroom. I had a heroine joke that died a terrible death, but other than that I think some of ds106 is starting to make more sense to thanks to Student as Producer as a theoretical framework. But, in the end, I have to say I really want other people to present on their experiences with ds106 because mine are almost predictable, I want everyone to frame it and I would love to see many, many more people present on it and talk about what, if anything, it might mean. Anyway, here is my attempt with some major theoretical lifting of Mike Neary and Joss Winn.

Student as Producer Panel at BLSCI”s Innovative Pedagogies Seminar with Joss Winn, Mike Neary

Update: I forgot the slides which have the visuals and more importantly the links, which I think I should disaggregate out into this post—I’ll try and work on that.

Special thanks to Mikhail Gershovich, Luke Waltzer, Tom Harbo, and Suzanne Epstein for an awesome event, and to Matt Gold, Boone Gorges, Jody Rosen, Maura Smale, and more for coming out—I love CUNY, and it was a blast. And I haven’t forgotten Michael Branson Smith, but that is for another post coming shortly. (I couldn’t find a link for everyone, so send me an update or leave a comment if I missed it.)

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ds106 Assignment: Your very own spubble

Learn to love yourself, grab a picture of yourself in which your body language, actions, gestures, etc. suggest one thing and then play off that using a speech bubble. Ideally the result would make people laugh—but I must acknowledge there are other possible emotional responses that may be just as acceptable. Think of it as lolcat, save it’s a human (namely you) and there is nothing compelling anyone to abuse the letter z in the speech bubble text. Picnik.com or Aviary.com would make this assignment dead simple.


Image credit: BLSCI

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The Goon Docks

Inspired by Tech Savvy Ed‘s ds106 work-in-progress on twitter for a minimalist travel poster (see assignment here) I decided to try a quick one to keep me sharp. I am absolutely in love with the vintage “See America” travel postersĀ and after seeing the gorgeous blue-tinted cavern posterĀ I got an idea for linking it to the most famous film I know that deals with caves—enjoy.

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Last Exit to ds106

Inspired by Cogdog’s ds106 image compulsion, I decided to have some fun with a recent gem “You Cant Exit ds106.” I basically used that image as a backdrop for my own sign slighting riffing off his sign. I’m still mucking around in GIMP, but I have to admit sometimes I miss Photoshop. Importing fonts into GIMP to get the right roadside fonts failed for me, so I had to approximate. Actually, scratch that, I found these road these Road Geek fonts as a free download. After copying them into my Mac fonts folder in the Library directory and restarting GIMP I could use them no problem. Much happier with this than I am the first go around—I have to learn to stick with design, it doesn’t come easy and maybe that is why i like it so much.

This assignment falls under the Visual category, more specifically “Illustrate 106.” I never get tired of the significance this number has taken on beyond a course number.

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It’s a Friday MacGuffin

Inspired by this MacGuffin, I couldn’t resist a Friday in which Chris Tucker was the responsible, worker bee šŸ™‚ Here is the “Messing with the MacGuffin” assignment if you are interested.

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