High Anxiety

Right now I’m enjoying a cable comma. And one of my favorite parts of cable is looking at how they are programming channels. To me HBO is shot right now, nothing interesting whatsoever, given I hate Curb Your Enthusiasm, and find Larry David about as unfunny as they come.. The channel I constantly find myself coming back to is Retroplex. The constantly have classics from the 50s, 60s, 70s, and 80s. Check out tonight’s line-up:
Sunday, November 29th

Fast Times At Ridgemont High 8:00 pm

National Lampoon’s Animal House 9:35 pm

Richard Pryor Live On The Sunset Strip 11:30 pm

And looking ahead they have Kiss Me Deadly (1958), On the Beach (1955), and Beat Street (1984). What more could you want out of a channel? Last night I stumbled across High Anxiety (1977) on Retroplex, and it is definitely one of the most underrated Mel Brooks film. His spoofs on Hitchcock are fun, and what I like about Brooks is he is willing to throw out as much schlock as he can think up, knowing at least some of it will stick—and it does. But my favorite scene from High Anxiety (a film I haven’t seen since we first got cable back in the late 70s) is Mel Brooks cum lounge singer. “ZZZiety!”

Brilliant, cable saved my life.

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Day 28: Star Wars Death Star Space Station

Death Star Sears Wishbook Ad

Back in 1978, this was without question my single favorite toy of all time, and in my opinion the greatest of the Kenner Star Wars toys back in the day. A given it’s pure awesomeness it in many ways remains one of my boyhood toys closest to my heart.  The trash compactor filled with foam, and trash monster was without question magic. I could go on for a long time about this toy, but while searching for the commercial (embedded below) I came across a very thorough review that takes you through the whole toy rather comprehensively, and goes a long way to prove just how amazing the web is—and how joyfully willing people are to share their obsessions.

Star Wars Death Star Space Station Commercial

Star Wars Death Star Space Station Review

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Day 29: Navarone Playset

Image Credit: Wishbook's "1976.xx.xx JCPenney Christmas Catalog P410"

Image Credit: Wishbook's "1976.xx.xx JCPenney Christmas Catalog P410"

I was never a big soldier figurine kid, I had my share of tanks and little green soldiers, but I was often far more impressed with the Fisher Price sets, which had all kinds of trippy nooks and crannies. That said, the Navarone playset is one of my earliest memories of a full-fledged toy that had hundreds of pieces, and I put the three-level mountain fort together all by myself. I remember the yellow howitzer and rope ladders, also the elevator was a bitch to figure out, and I had to pull in my older brother for that one. But in the end, it is one of the toys from the 70s that really captured my imagination given the pure scale of the whole operation. It was also one of those toys that was not based on a film, but pushed me to watch Force 10 from Navarone (1978) which came out a year or two after I got the toy.

Looking more closely at the Navarone playset in the Sears catalog it’s ironic for me to see it has the Americans pitted against the Italians, rather than the Germans, which, in retrospect. is an interesting harbinger of things to come 🙂

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Days 87-30: Atari 2600 Cartridges

Just when you thought it was safe to read the bava, I got fifty-seven more entries as an attempt to catch up on my 110 Toys to Xmas series, this post should serve three functions:

1) Catch me up, so I can wave to all the haterz that questioned whether this series would survive;
2) reacquaint you with all that groovy packaging art for the Atari 2600 cartridges that in many ways defined their appeal;
3) provide all you Atari 2600 junkies with some great nostalgia, even better each image and title links to the actual rom for each of these games, which can be played with the Stella Emulator (which has both Mac and PC versions).


Image credit: Wishbook’s “1983.xx.xx Sears Christmas Catalog P600”


Image credit: Wishbook’s “1983.xx.xx Sears Christmas Catalog P599”

So here we go, but before I start my list, it must be noted that come 1978/1979 the Sears Xmas Catalogs were literally taken over by video games, in many ways the toy section of these catalogs were indelibly changed with the advent of mass consumer video games, because the toy market itself was forever changed. Alongside VCRs and cable, the advent of video games was without question a defining cultural trend of my childhood, and I would argue all three defined me in some real way, as they did the culture of capital. Take a look at the markets surrounding video games and cable, and while the VHS went the way of the dodo bird, it in many ways may be the most important in terms of business models and devastating impacts on the transformation of movie culture to a more personal, insular experience, while at the same time making popular independent film all the more accessible. But, I digress, this post is gonna be long enough 🙂

Below are 57 cartridges I acquired between 1978 and 1986, aside from the Halloween and Texas Chainsaw Massacre cartridges by Wizard Games which I discovered much later, as well as the Ikari Warriors cartridge which came out in 1990. And while I’ll be posting about the actual Atari 2600 console in the coming weeks—that’s a whole ‘nother story, and by far one of the greatest single toys of all time—the following games represent literally 100s, if not 1000s, of hours of play from my adolescent years, and while I have my favorites like Adventure, Haunted House, Raiders of the Lost Ark, Pitfall!, Night Driver, and Joust, and a few more, I tried to list as many games here as possible, though I must admit there were more. So, it’s official 1102xmas is back in effect!

87) Adventure

86) Air-Sea Battle

85) Alien

84) Asteroids

83) Barnstorming

82) Berzerk

81) Bowling

80) Boxing

79) Buck Rogers

78) Canyon Bomber

77) Centipede

76) Chopper Command

75) Combat

74) Congo Bongo

73) Crackpots

72) Crazy Climber

71) Crystal Castles

70) Defender

69) Dig Dug

68) Donkey Kong

67) Elevator Action

66) E.T.

65) Freeway

64) Frogger

63) Gauntlet

62) Halloween

61) Haunted House

60) Ikari Warriors

59) Journey Escape

58) Joust

57) Jungle Hunt

56) Kaboom!

55) Kangaroo

54) King Kong

53) Maze Craze

52) Missile Command

51) Mouse Trap

50) Mr. Do!

49) Ms. Pac-Man

48) Night Driver

47) Pengo

46) Phoenix

45) Pitfall!

44) Pleiades

43) Pole Position

42) Q-bert

41) Raiders of the Lost Ark

40) River Raid

39) Roc ‘n Rope

38) Smurfs Rescue in Gargamel’s Castle

37)Swordquest: Earthworld


36) Space Invaders

35) Spider-Man

34) Superman

33) The Texas Chainsaw Massacre

32) Venture

31) Warlords

30) Yars’ Revenge

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Maybe Mr. T’s pretty handy with computers

What’s not to love about Mr. T? And given I am now cable-enabled, I am catching the Mr. T World of Warcraft commercials, and I can’t help but love this bit. I am gonna have to use this. Keep in mind this, as well as the Motel Hell clip I blogged early this week and bloggers as seen by Hollywood earlier today is fodder for a larger mashed up presentation I have in mind in which I won’t say a word, but simply let media present 🙂

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A Yawp for Help! Describing Whitman in the World

Meghan Edwards is a student in the Digital Whitman class here at UMW, and she has come up with an extremely interesting idea for a final project that takes advantage of the social networking tools we have been using this semester. She is interested in getting as much feedback as possible on how the world reads Whitman. What better way to get a rough sense of a global reception of Whitman than through social media? And while it will be necessarily an incomplete snapshot, I love the idea of attempting a project that uses the new media landscape to get a sense of the international pulse of Whitman’s reception around the world. To this end, I want to plead with anyone reading this to take the survey as well as to republish in your own network as widely as possible.

Describing-whitmanMeghan has created a site for her project that briefly describes the idea behind her project, as well as includes a link to a quick Google form embedded within the Survey page on her site. So, be sure to check out her project, and please, please, please fll out the quick survey and redistribute this as far and wide as possible.

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Bloggers, as seen by Hollywood

I just saw a part of Made of Honor (2008)—couldn’t stomach the whole thing—which is a derivative romantic comedy that is nothing more than a vehicle for the “dreamy” Patrick Dempsey. I have been musing about the scene and how bloggers are portrayed in Hollywood, and when I searched the phrase “bloggers portrayed in recent films” I was actually taken to a post by Dave Winer that he wrote on the subject just yesterday. Serendipity!

And while he is focusing on bloggers as leading characters in films, the blogger in Made of Honor was a marginal figure who was pretty much a caricature (which goes along with the logic of the film as a whole). The blogger is portrayed as a fanatic woman who was stalking Patrick Dempsey with her blog because he was so beautiful. She was an office worker and basically framed as a geeky, social misfit who was infantile in her crush, and made blogs look like a bad leftover from the years of teenage crushes gone wrong. She was quite a pathetic character, and was interesting for me to see how such a sub-par film can so shamelessly take shots at the image of the blogger.

Adding to that, another film that deals with social media in far more comprehensive ways is George Romero’s Diary of the Dead. Blogs and video uploads are basically the framework for dealing with the zombie holocaust, which is very much in line with the previous Dead series, which always had at their heart a deep subtext about how the media frames the reality in which we live. I didn’t necessarily like Diary of the Dead for a variety of reasons, particularly the acting and aesthetic—it just seemed neither fish nor fowl. And while not a great a gripping film in my estimation, but interesting in the intersection of our cultural zombie fetish and social media.

Anyway, I love the whole idea of tracing bloggers, and even social media more generally, I Hollywood and on TV, and while no one does it better than Infocult for everyday life, I think re-framing blogging and social media in Hollywood would make a great fodder for a pretty fun presentation/mashup. Suggestions of some films besides those being listed in the comments of Winer’s post?

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MapLib

George Meadows from the Education department here at UMW just turned Martha and I on to MapLib. It’s a tool that basically allows you to add web-based images to the site and lay the Google Maps interface on top of the image so that you can add markers to a customized map. More than that, you can let others collaborate on the map, and when you are done embed it in a post or page as you’ll see below. Very slick, I’ve has numerous requests for adding custom maps/images to Google MyMaps, and now you can do it.

Another tool for your 50+ Ways CogDog?

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UMW Blogs Traffic Stats—do they mean anything?

I have been playing around with Google Analytics for UMW Blogs, and I took a snapshot of the traffic thus far this semester. Since August, 24th until today, UMW Blogs has had half a million page views by 211,000 visitors, 135,000 of which were unique. What’s more, we’ve had traffic from just about every country on the globe.

UMW Blogs Stats 11-21-09

I’m still thinking about ways to use some of these stats to actually say something meaningful, and while I am entranced by the numbers at times, I’m not sure if looking for meaning in scales and aggregates makes any sense at all—in fact, I wonder if it simply reproduces a model of data collection and quantification that is eating the heart out of assessment in most institutions. Anyway, there you have it, but what it means is something (if anything) else, I’m afraid.

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5 Reasons I don’t like ITunesU

Looks like UMW is getting ITunesU. And while I’ve had nothing to do with the decision process, and I really don’t think it is going to make any significant difference in our environment, I would like to lay out a few quick reasons why I think this is a bad (or would irrelevant be more apropos?) move.

1) Don’t trust anything without a URL! ITunesU has no URLs, isn’t that suspect? Matt Gold pointed me to this post recently that does a nice job of suggesting how the disappearance of URLs is killing the web. Here’s a pull quote from the article: “The rise of the ‘app store mentality’ is a direct attack on the web, and on the very nature of free discovery and choice built upon URL-based hyperlinks.” Amen.

2) What’s more, ITunesU is built on the transactional logic of web design. You go somewhere because you want something very specific, usually to buy—like a song or TV episode. What does it say that most of our content delivery systems are framed according to a logic that is being used for selling goods?

3) Building on that, ITunesU is not a place for community, context, or collaboration. What is interesting about the web is not that you can get something, but that you can participate and dialogue around something. We have built a community at UMW with web-based technologies that is not about simply getting something, but about discovering something and following a series of connections and exposing a community of ideas that would otherwise be locked behind a wall. ITunesU is just that kind of wall we are trying to avoid.

4) The nefarious logic that everyone is doing it. What is this compulsion to be “there”? Who cares? People are often wrong, especially at institutions when in comes to content delivery systems. ITunesU on campus is really no different from bringing Taco Bell or Starbucks on campus, another sign of the corporatization of the university space that is running rampant in our moment. Why aren’t we uploading this stuff to the Internet Archive, as Leigh Blackall suggested at OpenEd this Summer? We have no soul or spine when it comes to “just saying no to the gentrification of our campuses.”

5) Finally, and specifically to UMW, we will have so few resources in iTunesU, so now you can add meager to decontextualized. We are a teaching and learning college that has taken on the title of University for appearances sake. Our strength is in the relationships between faculty and students in and out of the classroom. We do not produce video lectures by top researchers, that is not who we are–why pretend? We don’t have a huge ongoing demand for podcasts and/or other media. We have an engaged community centered around an academic space for open praxis around teaching and learning. ITunesU is not a teaching and learning tool, it is a delivery mechanism that is not only overkill for our purposes, but anathema to the open web.

So there you have it. I know I am right, but comments are welcome anyway 🙂

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