Lifeforce (1985)

As sometimes will happen, I started thinking about the Tobe Hooper’s Lifeforce (1985) this afternoon. Some of you may recall this as the movie wherein beautiful vampires from space walk buck naked around London sucking the life out of everyone in their way. I do so enjoy the tragically under utilized theme of space vampires (Mario Bava’s Planet of the Vampires being my favorite), and I occasionally come back to this film in my imagination, for it made a deep impression on me (for several reasons) when it came out in the mid-80s.

Image of the LessonAnd while thinking about it this afternoon, I finally made a connection that was staring me in the face for all these years: Eugène Ionesco’s play The Lesson. I’m now, once again, excited about re-watching Lifeforce. I loved Ionesco’s plays while an undergrad, and my all-time favorite remains The Lesson because it was just so wild to experience the young student, so full of vivacity and innocence, come into the older, seemingly meek professor’s flat for a lesson, only to be increasingly sapped of all her energy and wonder as the play progressed. Her docent’s mounting anger and abusive attacks on her ignorance as the play progressed were beautifully wrought. At the end of the play the professor had literally sucked all the life out of this student, and it ends with him ominously greeting his next victim.

And while the professor actually murders the student with a knife, the vampire theme is really what I like about this play. You can frame this life force metaphor for tapping some one’s “bodily essence” in so many fun ways. And while Tobe Hooper’s film is far less subtle and linguistically provocative than Ionesco’s play, the actual scenes of life sucking and the resulting shriveled up corpses certainly hold a space in my imagination right alongside Ionesco’s superb absurdity.

[kml_flashembed movie="http://youtube.com/v/G32tVg4Ld6g" width="425" height="350" wmode="transparent" /]

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Manamana sequel?

If you like the Muppets, then you will love this…

[kml_flashembed movie="http://www.youtube.com/v/3KANI2dpXLw" width="425" height="350" wmode="transparent" /]

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Faculty Academy the 13th

The University of Mary Washington’s 13th Faculty Academy is officially on the books for May 13th & 14th. We yet again have a quite impressive line-up of invited guests including Dr. Janet Murray (of Hamlet on the Holodeck fame), Gene Roche (the inspiration for Gardner’s BlueHost experiment is “coming home”), and finally God’s biggest Red Sox fan in Ohio and my favorite wired language professor Barbara Sawhill.

Now, the only thing scarier than a Red Sox fan may be the initial theme for the 13th Faculty Academy. I had tweeted a few times about how excited I was about it, yet wasn’t at liberty to disclose too much. In the end, I am glad I didn’t because the b-movie slasher theme was “killed,” and replaced with an equally compelling, though not quite as beautifully problematic, theme.

So here is the famous Faculty Academy the 13th banner that never will be….
Image of proposed Faculty Academy banner

But do take consolation in the fact that Martha’s artistic genius has guaranteed that this year’s Faculty Academy will “BOLDLY GO” where no mere conference has gone before, and this I firmly believe! I would complain more about the b-movie slasher theme being nixed if this one wasn’t so fecund for all kinds of great costumes, props, and mashups to come.
Image of faculty academy 2008 banner

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36 Hours in NYC

I just got back this morning from a 36 hour marathon trip to NYC. This uncharacteristically short trip was instigated by a workshop I got invited to do at Brooklyn College (which was a lot of fun), but the larger reason for this post is, of course, the wonderful, beautiful city of New York. So below you’ll find the tale of the tape of my journey (along with a map), highlighting just how much goodness you can pack into a day and a half if you don’t sleep 🙂


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Thursday April 10th, 10:00-10:35 pmImage of Daydream Nation album
Soundtrack: Arrived at Penn Station, ate my first and only dirty water dog, then headed to the subway to catch the F train to the lower Lower East Side. All the time with Sonic Youth’s Daydream Nation and Experimental Jet Set, Trash and No Star (a new favorite) exclusively on the head phones, which during the trip was pared down to just the second part of the “Trilogy” (a.k.a Hyperstation) from Daydream Nation) and “Self Obsessed and Sexxee” from Experimental Jet Set. The Sonic Youth soundtrack was key to the tenor and energy of this trip, mind you.

Thursday April 10th, 10:35 pm-12:30 amImage of a pizza pie
Met good friend Matt Gold at the Delancy Street subway station and together we head for the first of two amazing NYC pizza experiences. This one was at Bella’s Oven on the Lower East Side, and I won’t go into all the details because Ed Levine does an excellent job describing the food, the place, and the delicious pizza quite well in this post over at Slice, a great NYC pizza blog recommended by Matt. We actually split two large pies, our first a Diavolo (with hot salumi) and the second a straight, old gold margarita. Delicious food and great conversation about all things EdTech, academia, and New York City.

Friday, April 11th, 12:30-3:00 amImage of East River Manhattan Bridge courtesy of Jordan.Meeter
Headed back to Matt’s apartment and caught up with Liza, who I haven’t seen for way too long. Spent some time out on their patio, which overlooks the East River and the Manhattan Bridge. Felt a bit like Christopher Walken in Abel Ferrara’s King of New York (1990). Matt and Liza went to bed around 1:30 am, I stayed up for another hour and a half to polish off the details for my WordPress workshop in the morning at Brooklyn College.

Friday, April 11th, 3:00-6:00 am
Against all good judgment and reason I go to sleep for three hours, and dream of New York.

Friday, April 11th, 6:00-9:45 amImage of a woman sleeping on a subway courtesy of Max3270
Woke up at 6 am and worked on my presentation for two more hours, then struck out the door at 8:15 am, forgetting how long it takes to get from point A to point B for an inter-borough trip using the subway. Took the F train to Jay Street, got of and walked down Flatbush avenue to Nevins Street to catch the 5 train (which was the slowest express I ever took). Travel time for 7.1 miles was one and a half hours. Made it to Brooklyn College at 9:45 with only 15 minutes to spare.

Friday, April 11th, 9:45 am-3:30 pm
Gave a workshop to fifteen faculty on using WordPress, which was really just one way of introducing them to the Small Pieces Loosely Joined (SPLJ) approach to teaching and learning with technology. The workshop was a ball –I don’t think I ever had such a big block of time to talk specifically about SPLJ with so many faculty. In fact, the workshop actually ended up being five hours long because I refused to stop showing them things they could do, and a majority of the folks stayed which I’m taking as a good sign.

We spent the first half hour discussing the possibilties of an “educational publishing platform,” and how others have used it. There was real interest amongst several of the faculty present in thinking about WordPress (in conjunction with several of the other tools I presented, like YouTube, Google Apps, Flickr, and del.icious) as a way to cobble together an eportfolio system.

Image of Brooklyn College tower

The next four and a half hours we spent working though these tools in a hands on manner. We covered the basics of WordPress quite thoroughly 🙂 Each of the participants got a blog through Edublogs (thank you James Farmer!) and we started from there. Brooklyn College is currently considering WPMu and has setup a preliminary installation, but it wasn’t entirely ready for primetime. I didn’t want the participants to suffer through these limitations, especially since the logic of the talk is that you can do much of this on your own regardless of what an IT department offers you.

After everyone was familiar with WordPress as a publishing engine, we covered everything from embedding YouTube videos to linking Flickr images to the value of Creative Commons to the move towards open educational resources to the power of networks (in this regard Twitter was a huge hit, after doing a shout out—a la Bryan Alexander—I got a large number of immediate responses from all over the world, which I could see blew many of them away). In fact, Twitter might be the single best tool for both visualizing and demonstrating the idea of a network, as well as its potential power.

I created a resource for the workshop on edublogs here, and many of the faculty created some impressive blogs/sites in the short time we had. For example, check out Karl Steel’s blog (a Medieval Literature professor at Brooklyn College) who is already a prolific blogger, but wanted to see some of the benefits of WordPress in action. All in all, the workshop was a blast, and I truly hope that Brooklyn College is able to support the innovative, web-based work this group is chomping at the bit to do, or at the very least is smart enough to get out of their way and let them do it with a SPLJ approach —the days of BlackBoard are over, and I’m afraid the CUNY system will refuse to recognize this fact until it is too late.

Friday, April 11th, 3:30 pm -5:00pmImage of DiFara making a pizza
From Brooklyn College, I strolled about ten blocks to Avenue J to meet up with Matt at DiFara Pizzeria for what is arguably the best slice in Brooklyn, and by extension the planet. DiFara Pizzeria has been around for over 40 years, but has recently become a more widely known phenomenon being hailed by as one of the best slices around by various food writers—something I agree wholeheartedly with. Yet, I think the popularity of DiFara has far more to do with the fact that Dominic DeMarco (the owner and proprietor) has labored individually over every pizza ever made there. He works 12 hour days seven days a week, and has only closed down on two separate occasions in 40 years: a trip to Italy in the late 80s and a more recent foot surgery. Image of DiFara Pizzeria facadeFact is, he won’t open his pizzeria if he can’t make the pizzas, and watching him make your pizza is part of the joy of going here, for the joint is just a regular Brooklyn pizzeria, but the owner is a character whose singleness of purpose has resulted in a kind of cult following that seems to be quickly leading to a more international fame, at least in the pizza world. Our pie was half meatball and half sausage, and wholly delicious. The prices have doubled since the last time I was there a number of years ago—I chalk that up to all the fanfare. It was strange to see a slice of pizza selling for 4 dollars, but this may be that rare occasion when it’s worth it.

Friday, April 11th, 6:50pm-9:00pm
Image of Tomu Uchida Film Series at th BAMFrom DiFara’s, Matt and I jumped on the Q train and headed to the Atlantic Avenue station have settled on adding to this already amazing trip yet another layer of genius, taking in a movie at Brooklyn Academy of Music’s Cinematèk! The BAM’s Cinematèk is, as of right now, my favorite place to go anywhere in the world. I will be writing an entire post about the amazing film we saw called Chikamatsu’s Love in Osaka (1959), and directed by Tomu Uchida (who is a Japanese director who is virtually unknown in the West), so let it suffice to say for the moment that the BAM’s film programming has got to be the best in the nation, and perhaps a strong contender for that title more globally. A true cultural resource that is without equal in my mind. Lavish 35mm prints in a real theater with real popcorn and real soda and real people in a real city. I can’t begin to express how wonderful it was to be back at the BAM enjoying a movie I would never have access to otherwise. The unadulterated act of truly losing yourself to the magic of cinema in the environment it was meant to be experienced is without parallel for me.

Friday, April 11th, 9:00pm-1:00am
Image of urinal wall at Freddy's BarRight after the movie, we walked about three or four blocks to Freddy’s Bar which is just another highlight of some of the best 36 hours I have yet to have in my life. Freddy’s is a Brooklyn attraction for a host of reasons: affordable beer, a great old school bar, a relaxed crowd, its public attacks against the Forest City Ratner’s Atlantic Yards project (one that will further divide and gentrify this great city within a city). But if I were to be honest, the reason I love to go to Freddy’s is for Donald O’Finn’s “TV Dreams” – a never ending series of VHS tapes featuring the most tripped out and intelligent re-cuts of movie clips, commercials, and various other resources you can imagine. I have wrote about these masterpieces already here, and seeing them again just re-affirms just how amazing this artist is on so many mashed up levels. His work provides a superb example of the mashup as de-contextualizing the medium from the message in order to re-contextualize a mindful imagination. The tape on tap Friday evening was no different, we caught a few great series, one which featured all the far out clips of people dancing from about 400 films I never saw, where does he find all this stuff? I really want to call him up and talk to him about where he sees his own art in relationship to the current state of copyright, mashups, and digital media more generally.

Saturday, April 12th, 1:00 am -3:00 am
Matt and I voyaged out into the rain drenched streets of New York and took the Q train at Atlantic Ave. to Canal Street, then hailed a cab back to Matt’s apartment on the Lower East Side. I quickly packed up, said goodbye and caught a cab back to Penn Station to conclude a really amazing trip. Special thanks go out to “Old Gold” Matt Gold for his unbelievable hospitality and push to make the little time we had some of the most enjoyable ever. I mean come on pizza, movies, Brooklyn, beer, video art, and on and on and on….what more could you want, huh?

Posted in experimenting, fun, general, maps, movies, music, television, video, WordPress | Tagged , , , , , , , , , , , , , , , , | 4 Comments

The Pirate’s Dilemma

Image of Castle SmufensteinTom Woodward turned me on to this fascinating keynote presentation by pirate radio DJ Matt Mason, author of The Pirate’s Dilemma, at The Medici Summit on March 3rd 2008. It resonated on several levels about issues that have been circulating for a while now in regards to re-mixes, mashups, and all things copyright in educational technology. This talk highlights some excellent example of the tremendous creative value of re-mixing in relationship to corporate competition —which is not my particular bag— yet many of his points can be ported over to the educational sphere somewhat easily. Namely, embrace the re-mix and understand the culture of piracy as an innovative force that often emerges as a way to fill a void or gap in the current models of cultural distribution. My favorite example of the re-mix is the re-working of the classic 1980s video game Castle Wolfenstein into Castle Smurfenstein, which the game designers embraced and proved to be a tremendous boon to the cultural significance and popularity of the original.

If you have the time, it is well worth a watch…
[kml_flashembed movie="http://video.google.com/googleplayer.swf?docid=-6483543718966313073" width="400" height="326" wmode="transparent" /]

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Simple Tags Plugin for WordPress

If you haven’t tried out the Simple Tags plugin yet, I promise you it will never be too soon. This plugin is extremely powerful, and strikes me more as a full blown application within WP than a simple extension of WordPress. I haven’t even begun to play with all the features it offers, but here are a number I have noticed already:
Image of Simple Tags Management

  • Customizable Tag Cloud within pages, posts, and the sidebar
  • Customized list of related posts based on tags
  • Customized list of related tags
  • Auto link feature for tags which will search posts and automatically “discover” tags
  • Suggested tags based on both external and internal database comparison
  • Display tags in RSS feeds
  • Embedded tags
  • Meta tags in header for search engines optimization

This plugin makes about three or four others I use redundant, and more than that it works just as well in WPMu, and has a nice interface for management complete with widgets and the whole nine yards. I hope Simple Tags marks the the future of WP plugins, for this is a very powerful tool that brings the functionality, ease, and possibilities of tagging within WordPress to the next level. A must have in my opinion.

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Shake It

Carole Garmon pointed me to a beautifully disturbing re-enactment of a performance piece by Allan Kaprow’s “Shake It,” (1972) or at least that’s what I think it’s titled. I didn’t know anything about Kaprow before Carole explained his influential role in defining the concepts of performance art as well as helping to develop the “Happening” in the late 50s and 60s.

I dug a bit more on Kaprow, and I fascinated with his notion of “un-art.” He has a couple of essays on the subject titled “Art which Can’t be Art” and “The Education of an Un-Artist,” the last essay suggests an interesting confluence with a mashup un-artist who may have very well be exploring Kaprow’s themes given his deep knowledge and appreciation of all things avant-garde (just a theory). I also found two books of essays, “Untitled Essay and other works” (1967) and “Some Recent Happenings” (1966), on UBUWEB.

Posted in art, video, YouTube | Tagged , , , , , , | 3 Comments

Master of the Flying Guillotine

One of my favorite movies these days is Master of the Flying Guillotine (1975) for two simple reasons:

  • First, the characters and fight scenes are awesome. The evil, blind imperial assassin who has a “flying guillotine” in his arsenal of weapons is a tried and true badass. More than that, the fighting tournament towards the middle of the film (which lasts about 15 minutes) features some of the most entertaining fight scenes in cinema. The tournament showcases a host of different martial art styles, weapons, and other assorted moments of fun-filled violence. You can get a good sense of these scenes from the trailer at about a 1:12 in.
  • Second, the underlying paranoia of foreigners in this film is fascinating. The characters that ultimately team-up with the “Master of the Flying Guillotine” against the one-armed Boxer are all foreigners, namely the Thai Boxer, the Indian Yoga Master, and the Japanese “Win Without a Knife.”

Finally, I would be remiss if I didn’t acknowledge that the one-armed Boxer is truly a thoughtful teacher and a kung-fu badass in his own right.

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High School Hell Cats, and other assorted mashup learning resources from the Internet Archive

I find myself constantly going back to the Internet Archive, and constantly being blown away by what I find. Now, maybe I am biased towards video, and obsess over all things film history. I have been registering several people’s interest in mashups from various angles, Doug Symington was wondering about the curricular possibilities here and Tony Hirst imagines through the process of finding resources here. I believe some of the more immediate brewing interest comes in the wake of Brian’ Lamb’s masterful presentation at the NMC Mashups Symposium (or as Samuel Beckett might say, in the wake of the Wake). A presentation that both Alan Levine and Chris Lott do an excellent job of framing here and here. More recently (as in this morning 🙂 ) I discovered randy Thornton’s post about “The Adventures of Bollywood Blackboardwala,” a great series of short videos that use subtitling to turn these Bollywood clips into a hilarious narrative about BlackBoard’s draconian business practices. Very fun stuff.

So, with mashups in the air, I do what I always do, return to the Internet Archive and find resources I want to mashup, but never get around to —but this will change! The other night while thinking through a project I will be working on with a forward thinking Italian professor, I came across over 100 classic film trailers on the Internet Archives in the SabuCat Movie Trailers Collection. And, I had a ball, I found the original, hi-resolution version of the High School Hell Cats trailer (a version of which is linked to above on YouTube). There was also the Babes in Toyland (1934) trailer — a Laurel and Hardy classic for the ages which I always knew by the title March of the Wooden Soldiers. And then there’s Attack of the 50 ft. Woman (1958), Double Indemnity (1944), Invasion U.S.A. (1952), the Harryhausen classic Twenty Million Miles to Earth (1957), The Day the Earth Stood Still (1951), and a truly bizarre trailer for a film I never saw (but I am dying to now) titled Baby Doll (1956), check out this trailer (and fair warning it is offensive on numerous levels).

So, given this list you might figure I’d said enough, and by all counts you would be right, ‘cept my own. After watching a bunch of these trailers, I followed a link to the SabuCat Collection which promised over 60,000 film trailers. When I got there I realized that they were a business that offered high-resolution transfers from 35mm prints of thousands of movie trailers. I was a bit disappointed, figuring I had just hit the online movie trailer El Dorado.

Yet, all was not lost, for there was some interesting information I found on the site that made the trip out of the Internet Archive a bit less distressful to my psyche. Namely the following copyright information regarding movie trailers that I was unaware of:

Can I use Trailers without being concerned over Copyright? Within certain limits, yes. Here’s the story…

Trailers for movies released before 1964 are in the Public Domain because they were never separately copyrighted. The law at the time granted the owner 28 years to file a copyright registration.

1963 + 28 = 1991

Clearly, time has run out to register this material. Some might argue that since the trailers frequently contain the same material that’s in the movie, and the movie is presumably copyrighted, that this would cover the trailer as well. However, the trailer is published (run in a theater) before the movie itself is published. Thus, the trailer requires a separate copyright, and the scenes contained in the trailer are in Public Domain.

Note that all trailers, regardless of year, until the late 80’s, are O.K. to use if they contain no copyright notice. This does occur, although infrequently. For example, the trailer for “The Shootist” (John Wayne, 1976) contains no notice. It is therefore O.K. to use.

According to the couple that runs SabuCat, a majority of the trailers for movies made before 1964 are in the public domain. That’s a lot of film footage free to be mashedup by the people. Moreover, if a film up and until the late 1980s doesn’t have a copyright notice it is free to use, I wonder if anyone has done the research to find out which films since 1964 have the copyright notice, and which one’s don’t.

So, it seems like there is a tremendous amount of footage out there pre-1964 9and otherwise) that is free for the mashing up. Now that’s Open Education!

Now it’s time to work on a presentation for Faculty Academy 2008 (inspired by DJ Lamb) that tries to imagine how faculty might use these resources, which means I get to play and have fun —thanks go to Brian for the inspiration and Martha for the license!

Posted in experimenting, film, film noir, films, fun, open education | Tagged , , , , , , | Leave a comment

“It’s a Madhouse!”: RIP Charlton Heston

Last words, “Get your hands off me you damned, dirty death!”

Image of Charlton HestonJust saw the news that Charlton Heston died on Saturday, and when I read it on the cover of today’s Washington Post I immediately said, “Oh no!” Charlton Heston’s passing marks a moment for me, for I now have to cope with the the loss of one of my landmark film heroes, particularly in his role as Taylor in The Planet of the Apes (1968) —which is definitely in the formative top 10— and the even greater Beneath the Planet of the Apes (1970). Heston, as an actor, was special for me because he did Shatner long before Shatner, and without any of the self-loathing and smarmy irony. His earnestness and almost transcendent projection of integrity made his performances that much more entertaining, all I have to do is think of classics like Touch of Evil (1958) (his controversial playing of the Mexican Vargas), The Omega Man (1971), and Soylent Green (1973) to name a few of my own favorites.

Now some of you hippies might be thinking, “What? Charlton Heston?!” And while it may seem “uncool” to eulogize Heston given his later conservative political activism during the 1980s, I don’t really care. And I could bring up the trump card of him being one of the few outspoken Hollywood supporters of the Civil Rights movement, but that would be playing into such criticism.

The fact is that Heston reminds me of one of my favorite early novelists, Jon Dos Passos, a figure whose earlt artistry effected me in ways far greater than his shifting, uninspired, and didactic later political viewpoints. More than that, given the sad state of all things considered “liberal” these days, I find this term almost as excruciating as conservative, especially after Michael Moore took the easy route and decided to end his anti-gun documentary Bowling for Columbine (2002) on the crucifixion of an ailing Heston, and the same goes for Clooney’s righteous criticisms. Neither Moore not Clooney played Taylor in The Planet of the Apes, and that’s how and why I will remember Charlton Heston so, in his immortal words, “Damn you all to hell!”

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